Godfrey, Donald & Leigh, Frederic A. (Eds.).
(1998).
Historical
Dictionary of American Radio.
Westport, CT: Greenwood Press.
“Rick Dees.” p. 116
“Digital Audio Broadcasting (DAB).” pp. 123-24
“Greaseman.” p. 188
“Gary Owens.” pp. 292-93
“Stereophonic Sound.” p. 372
“Wolfman Jack.” p. 422
Description:
A comprehensive resource of American radio history including over
100 authors and
covering over 600 different topics, fully cross-referenced and
indexed. Entries are
arranged alphabetically and written by some of the leading scholars
including Erik
Barnouw, Louisa Benjamin, Ronald Caray, Kenneth Harwood, W.A. Kelly
Huff, Michael
Kitross, Larry Lichty, Christopher Sterling, Kyu Ho Youm, Robert
Avery, Marvin
Bensman, Michael D. Murray, and others of the discipline. Each entry
also contains
references for further study as well as internet source materials.
An Introduction and
Radio Chronology provide the historical framework for the topics.
This dictionary will be of interest to students and scholars
interested in radio,
television, communications, communications history, and electronic
media. It will also
be of interest to professionals in the field. As a library source it
will be a welcome
addition to academic, professional, as well as public library
collections.
Table of Contents:
Preface
Introduction
Radio Chronology
List of Alphabetical Entries
Bibliography
Index
LC Card Number: 97-33140
LCC Class: PN1991
Dewey Class: 384
Blanchard, Margaret (Ed.). (1998).
History
of the Mass Media in the United States: An Encyclopedia.
Chicago: Fitzroy Dearborn Publishers.
“The Golden Age of Television.” pp. 240-43.
Award Winner
Outstanding Reference Book – New York Public Library Reference Book
Awards
The influence of the mass media on American history has been
overwhelming. History
of the Mass Media in the United States examines the ways in which
the media both affects,
and is affected by, U.S. society. From 1690, when the first American
newspaper was founded,
to 1995, this encyclopedia covers more than 300 years of mass media
history.
History of Mass Media in the United States contains more than 475
alphabetically
arranged entries covering subjects ranging from key areas of
newspaper history to broader
topics such as media coverage of wars, major conflicts
over press freedom, court cases and
legislation, and the concerns and representation of ethnic and
special interest groups. The
editor and the 200 scholarly contributors to this work
have taken particular care to examine
the technological, legal, legislative, economic, and political
developments that have
affected the American media.
Browne, Ray B. & Browne, Pat (Eds.). (2001).
The
Guide
to United States Popular Culture.
Bowling Green, OH: Bowling Green State University Popular
Press.
“The Andy Griffith Show.” p. 38.
“CNN (Cable News Network).” pp. 183-84.
“Digital Audio Broadcasting.” p. 233.
“High-Definition Television (HDTV).” p. 383.
“The Marshall Tucker Band.” p. 515.
“Mayberry R.F.D.” p. 523-24.
“Stereophonic Sound.” pp. 786-87.
This volume consists of almost 1600 alphabetically arranged
entries intended, collectively, to
define popular culture in the United States. Determined and
contributed by some 500 experts,
the entries are representative, though not comprehensive, and vary
from the inclusive and general (golf,
domestic decorations, horror films) to specific individuals, items,
and events; they are supplemented by
bibliographies, cross-references, and a comprehensive index.
1010 pp., illus.,index, 2001
CB 0-87972-821-3 $149.95
Sterling, Christopher H. (Ed.). (2004).
Encyclopedia
of Radio.
New York: Routledge, Taylor and Francis Publishers.
“AM Radio.” pp. 83-85.
“Jack Benny.” pp. 155-159.
“Rick Dees.” pp. 438-439.
“Digital Audio Broadcasting.” pp. 456-462.
“The George Burns and Gracie Allen Show.” pp. 650-653.
“‘Cousin’ Brucie Morrow.” pp. 959-960.
“Gary Owens.” pp. 1052-1053.
“David Sarnoff.” pp. 1233-1235.
“Doug ‘Greaseman’ Tracht.” pp. 1405-1407.
“Wolfman Jack (Robert Smith).” pp. 1547-1550.
Project Synopsis:
Produced in association with the Museum of Broadcast
Communications in Chicago, the
three-volume Encyclopedia of Radio is the first comprehensive,
broadly conceived reference work
covering the full spectrum of this nearly century-old medium.
International in scope, it spans
the history of radio in major countries and regions throughout the
world, tracing radio's role
in the development of journalism, advertising, entertainment,
propaganda, popular
music, and much more.
Over 600 alphabetically arranged entries cover programs and people,
networks and
organizations, regulation and policies, audience research, and radio's
evolving technology
through the years. Entries include production credits for programs,
biographical details for
individuals, and suggestions for further reading. Approximately 200
illustrations give
visual context to the often unseen world of radio, and a comprehensive
index makes the
book a useful research tool.
The Encyclopedia is much more than simply an informational
work. Each essay provides not
only essential facts but also commentary on the significance of the
particular person,
organization, or topic being examined. Users will gain an overall
sense of radio history and
will understand the place of each entry's subject within that
history. Readers will also discover
issues and problems that have helped to define the medium, learning to
view radio as
an intersection of technological, economic, political, social, and
aesthetic factors.
From Arbitron to Zenith, from Fibber McGee to digital audio
broadcasting, the Encyclopedia
of Radio is the most complete reference work ever compiled on this
fascinating medium
that continues to shape our culture. It will be the definitive resource
on radio for all high
school, college, and public libraries.
Inscoe, John. (Ed.). (2005).
New Georgia Encyclopedia.
Atlanta: Merrill-Hall New Media.
“The Allman Brothers Band.” (Published August 12, 2005)
“Duane Allman (1946-1971).” (Published October 21, 2005)
Description:
The New Georgia Encyclopedia is an ambitious project that was
first discussed in
1998. It is the nation's first state encyclopedia conceived at the
outset
as an online enterprise.
It will be limited to a single state, Georgia. Although
it is Georgia-based,
being on the Internet makes it international. Anyone in
Georgia, the nation, or the world
with Internet access is able to look up the New Georgia
Encyclopedia and surf
its database for nuggets of information about our state at no cost.
The e-encyclopedia has many of the
customary attributes of a web-based resource:
images accompany most articles and some articles have moving
images as well
as sound. As a digital resource, there are extensive
internal links among the
articles allowing for an extraordinary search capability. Further, each
author was asked to
provide recommendations for other web links that point to
additional resources on an
article's subject matter. For this reason, we often talk
about the e-encyclopedia as a portal to
Georgia because it provides access not only to the internal
resources of the encyclopedia
but also, through other web and digital links, to resources elsewhere.
The New Georgia Encyclopedia is a project of the Georgia
Humanities Council in partnership
with the Office of the Governor, the University of Georgia Press, and
the University System
of Georgia/GALILEO. It is made possible by an appropriation from the
State of Georgia and
by grants from the Georgia Power Foundation, the Woodruff
Foundation, Bell South,
the Peyton Anderson Foundation, the James Cox Foundation,
the UPS Foundation, the
National Endowment for the Humanities, and the Historic Chattahoochee
Commission.
“Alice.” pp. 55-57.
“Frasier.” pp. 924-925.
“Michael Landon.” pp. 1310-1312.
“Little House on the Prairie.” pp. 1370-1372.
“Regis Philbin.” pp. 1759-1761.
Project Synopsis:
The Second Edition of the Encyclopedia of Television builds
on the award-winning First
Edition. That work, widely recognized and cited as the foremost
reference work designed
for the study of television, presents almost 1,000 essays on
people, programs, and topics
related to the medium. Focused on both the history and current state of
television, the Encyclopedia
also looks to the future, exploring significant changes that have
occurred in the economic,
technological, and regulatory contexts in which television is produced,
transmitted,
and experienced.
The Second Edition appears as four illustrated volumes. It contains
nearly
200 new entries. All existing essays were revised.
The Encyclopedia of Television was conceived as
a work of first record for users at various levels.
Essays are scholarly in nature, but they are not presented in an
excessively abstract, theoretical,
or specialized manner. They are designed to be thoroughly
descriptive, yet analytically keen.
Contributors are expected to cover relevant information objectively;
contributors may also
present a perspective, a point of view. Essays are detailed and
informed in a manner
useful to advanced students, professional journalists,
and scholars, yet jargon-free and
stylistically accessible to general readers. The subject of each
essay is presented in the
fullest possible context as it relates to television at large.